Culmination Kind of Flat

You might think that posting so recently after my last update, the latest review would be fresh in my mind. You'd be mostly right but... things go fast on vacation.  I'm already 3 books behind - so onward and upward.  As I mentioned in the last post, next on my list was, of course, the final Pink Carnation, Jane's story.  In contrast to #11 about a pair of minor characters and a plot that doesn't really tie in with the Pink Carnation's work at all, #12 features Jane herself as the heroine, in the thick of her spy war on Napoleon.  So it was going to be different for sure. I quite enjoyed #11, with its relative lack of plot and clean-slate characters, so the burden was on #12 to prove as enjoyable when back in the thick of the action.  On the other side was #10, Miss Gwen's story, which suffered from introducing us the the woman behind the parasol, and rendering the previously redoubtable heroine vulnerable.  And if this was a problem for Miss Gwen... Throughout the Pink Carnation series, Jane has remained ever calm and unruffled while pulling all the strings and knowing all the things.  So who wouldn't want to hear her love story?

Thus far we have the awesome Jane, ready for her hero.  As for the hero himself, I have nothing particularly bad to say of him, though I would say Jane is substantially more awesome (unlike her French counterpart and one-time flame The Gardener, but apparently he's destined for someone else (Lizzy) - two alpha spies can't work? whatever, I'm really fine with that).  But the issue comes down to the same thing as #10 - how to render the heroine sympathetic without damaging that sheen of omniscience? Personally, I don't know why Jane had to be rendered so vulnerable, but what do I know? Lauren Willig not only introduces us to her inner doubts (fine enough I guess) but moves the story along two years, placing her outside her old Paris network and outside the pale of polite society (disowned by her family).  Why, why, why? By making Jane so far from awesome, it deprives us of the treat of the coup de grace of Pink books.

So ok, let's try to judge the book on its own merits rather than as the culmination of the series.  As far as it goes, lots of spy plot, which is not a plus in my book.  Portuguese countryside instead of Regency London.  And the romance? I just feel like Pink romances are all the same - rather than a true angsty, suspensful back-and-forth true progression of a relationship, it's all professional interaction + an undercurrent of a certain type of tension, denying it because of said professional interaction, and culminating in a declaration. It just gets old, you know? Maybe it's really the way most romances go (at least those with more.. err.. physical description).  But these are the ones I read, so that's where I see the repetition. Anyway, yeah, it just felt like same, same, and not necessarily that enjoyable.

Oh well, right? Still, same as #10 - fast, easy read of a romance. Shouldn't be that critical. And looking forward to reading the standalones! Not hampered by any of the same-same (hopefully :)) And it was certainly fun to wrap it all up with the various characters.

Verdict: 3.5/5

Tangent Proves Worthy

And now, the first of my new library books.. it's boring I'm afraid :) Moving on the Pink Carnation series with #11, The Mark of  the Midnight Manzanilla.  If you recall, I did not enjoy #10 (book from my inaugural trip to the library), but wasn't sure how much of it was due to the protaganist (Miss Gwen) as opposed to a general descent in the series or to my own changing tastes. So this was a good opportunity to test which one it was.  #11 is about Sally Fitzhugh, quite a minor character in previous novels, and the Duke of Belliston, non-existent before this book.  Clean slate, as it were.

Sally reminds me a lot of previous heroines - practical, somewhat naive, valient, loyal, friendly - shades of Henrietta, Letty, Arabella etc.  Belliston is a brooding mystery man, in the mold of Lord Vaughn, Andre Joeun, and Colin himself.  So even more than with some of the previous books, there was a feeling of deja vu / been-there-done-that at the start.  But that being said, Sally is beautiful, confident, and unredoubtable.  Lucien, while he is withdrawn and mysterious, does not have the cold hauteur of Lord Vaughan, but an open and friendly personality once you "get to know him".  In other words, likeable, relatable hero and heroine.

The story is the usual - spies, murders, lots going on outside of the romance.  But fast-paced enough, taking place within the confines of London and aristocratic country society, involving a fake engagement, so nothing to complain about.  The romance not bad either... though honestly, these books are not actually the greatest romances - very little angst, and not enough suspense.  But a solid enough love story, definitely.   And, in some definite praise - 1) started reading the car on the way down to Maryland and enjoyed enough to get me quite a way through by the time we got there 2) disappointed by the Kerry Jennings Walsh loss in the semifinals, consoled myself by finishing the book before I went to sleep.  So I can say that I absolutely enjoyed this one.

So.. conclusion? My dissatisfaction with the last book, probably mostly due to Miss Gwen rather than to a general decline in the series.  Change in taste definitely still somewhat there, but not enough so that I didn't enjoy a generic PC with a generic heroine.  Older, prickly leading ladies just not to my taste. What a snob am I.

Meanwhile, liked this book and certainly looking forward to #12, Jaaaane herself.  Will be somewhat funny to pick up the main thread of the series after this book was a complete tangent, but I have hope that Jane's story will be worth all the spy stuff.

Verdict: 4/5